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The Opening of the Fifth Seal ID de tableau:: 59162
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The Opening of the Fifth Seal The Opening of the Fifth Seal (1608?C1614, oil, 225 ?? 193 cm., New York, Metropolitan Museum) has been suggested to be the prime source of inspiration for Picasso's Les Demoiselles d' Avignon. The_Opening_of_the_Fifth_Seal_(1608?C1614,_oil,_225_??_193_cm.,_New_York,_Metropolitan_Museum)_has_been_suggested_to_be_the_prime_source_of_inspiration_for_Picasso's_Les_Demoiselles_d'_Avignon.
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Picasso Les Demoiselles d Avignon ID de tableau:: 59163
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Picasso Les Demoiselles d Avignon Picasso's Les Demoiselles d' Avignon (1907, oil on canvas, 243.9 ?? 233.7 cm., New York, Museum of Modern Art) appears to have certain morphological and stylistic similarities with The Opening of the Fifth Seal. Picasso's_Les_Demoiselles_d'_Avignon_(1907,_oil_on_canvas,_243.9_??_233.7_cm.,_New_York,_Museum_of_Modern_Art)_appears_to_have_certain_morphological_and_stylistic_similarities_with_The_Opening_of_the_Fifth_Seal.
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Portrait of Jorge Manuel Theotocopoulos ID de tableau:: 59164
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Portrait of Jorge Manuel Theotocopoulos Portrait of Jorge Manuel Theotocopoulos (1600?C1605, oil on canvas, 81 ?? 56 cm, Museo Provincial de Bellas Artes, Seville) Portrait_of_Jorge_Manuel_Theotocopoulos_(1600?C1605,_oil_on_canvas,_81_??_56_cm,_Museo_Provincial_de_Bellas_Artes,_Seville)
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The Modena Triptych ID de tableau:: 59165
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The Modena Triptych The Modena Triptych (1568, tempera on panel, 37 ?? 23,8 cm (central, ', ', ', ', ', ', ', '), 24 ?? 18 cm (side panels, ', ', ', ', ', ', ', '), Galleria Estense, Modena) is a small-scale composition attributed to El Greco. The_Modena_Triptych_(1568,_tempera_on_panel,_37_??_23,8_cm_(central,_',_',_',_',_',_',_',_'),_24_??_18_cm_(side_panels,_',_',_',_',_',_',_',_'),_Galleria_Estense,_Modena)_is_a_small-scale_composition_attributed_to_El_Greco.
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The Purification of the Temple ID de tableau:: 62290
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The Purification of the Temple 1571-76 Oil on canvas Institute of Arts, Minneapolis The most significant iconographic feature of this version is the introduction in the lower right-hand corner four portraits of artists. They are, from left to right, Titian, Michelangelo, Giulio Clovio and Raphael (although it has also been suggested that this figure is El Greco himself, Giulio Romano or even Correggio). Their presence can be interpreted as a straightforward homage by El Greco to those artists to whom he felt indebted (and some of whose works he was quoting in the picture). 1571-76_Oil_on_canvas_Institute_of_Arts,_Minneapolis_The_most_significant_iconographic_feature_of_this_version_is_the_introduction_in_the_lower_right-hand_corner_four_portraits_of_artists._They_are,_from_left_to_right,_Titian,_Michelangelo,_Giulio_Clovio_and_Raphael_(although_it_has_also_been_suggested_that_this_figure_is_El_Greco_himself,_Giulio_Romano_or_even_Correggio)._Their_presence_can_be_interpreted_as_a_straightforward_homage_by_El_Greco_to_those_artists_to_whom_he_felt_indebted_(and_some_of_whose_works_he_was_quoting_in_the_picture).
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| Artiste précédent Artiste prochain
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El Greco
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Greek-born Spanish Mannerist Painter, 1541-1614 |
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